"The Annunciation"

Oil on canvas, 50" x 70", 2003

 

In my personal interpretation of The Annunciation, the inclusion of Joseph is just as important and factual as that of Mary.  In my view, their love and spirit were both responsible for the conception and development of Jesus as the bearer of light.

 

I depict this Annunciation as a dreamlike state, emphasized by Joseph and Mary’s hearts glowing with light to convey the purity of their spirits.  Their intertwining veins are conduits of life and warmth that express the sharing of their unconditional love.

 

I also view their relationship and desires as being subject to nature’s laws just as all human beings are, and I express this in several ways to emphasize the erotic, the romantic and the sexual:  The union of their hands.  Their veins displayed more intensely near their erogenous zones.  The presence of a bitten apple.  Also reinforcing this concept is the image of Mary’s Ovum surrounded by Joseph’s spermatozoa, including one which has penetrated the ovum - this is the marvelous miracle of life, in both spirit and flesh, which continues throughout the world everyday.

 

The Angel Gabriel bestows upon them the blessings from God, expressed through a showering of beautiful and fragrant flowers.  These blessed flowers transcend the painting as they make their way onto the frame that surrounds them.

 

 Miguel Tió

 

The Annunciation  has been exhibited:

2006 - "Unseen Sides", Gallerie Icosahedron, New York City

2004 - "February 2004 Exhibition", Online Juried Exhibition at Projekt30.com, New York

2003 - "Forms of Divinity", Williamsburg Art & Historical Center, Brooklyn, NY

Publications:

2006 - Catalog of "Unseen Sides", Gallerie Icosahedron, New York City.

2005 - “Arte Iberoamericano Contemporáneo; Emoción y Concepto” book by Maria Elena Troncoso and Ricardo Lescano Grosso, published in Cordoba, Argentina.

 

 

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Copyright © by Miguel Tió